That's right! GOOD BYE, ONE DIRECTION! Don't let the door hit you in the ass on the way out of town. Or better yet, let it hit you in the ass and be done with you.
I've been (slowly) working on another mini e-book that will be an introduction to Japanese idol pop and one of the things that annoys me the most about One Direction is their utter lack of respect for the "boy band" as an art form. As their video for the song, "Best Song Ever" makes clear, they think dancing is gay, bright costumes are gay, being pleasing to female audiences is gay... with gay as code for bad, obviously.
This attitude infuriates me. As a person who adores dancing, bright costumes, and entertainers who respect me as a female audience member... 1D have been tarnishing the "boy band" tag with their shit attitudes for far too long!
I'll never forget the time they appeared on the live Japanese music show ミュージックステーション (Music Station) and had the gall to mock one of the other groups that was on!!! Okay, so maybe Sexy Zone is a silly sounding name in English but the boys in Sexy Zone at the time were all very sweet faced, very earnest teenagers dressed in dapper white suits with wintery white feathered collars, performing a medley of all their singles so far (to include the uber peppy "Lady Diamond" and their charming theme song, the self-titled "Sexy Zone") to a horde of adoring fangirls. Basically, performing Sexy Zone were performing ALL THE KEY RESPONSIBILITIES OF A BOY BAND while 1D was dressed in schlubby outfits and spent zero time being charming and all their time mocking Sexy Zone, the host of the show, and making asshole faces to camera.
SHOW SOME FUCKING RESPECT!
One of the many things I've found so appealing in the world of Japanese idol pop is this dedication to pleasing the audience. A level of trust is built between the boy (and girl) groups and their audiences. We know they are going to deliver us the goods and by-and-large they do. That trust is why the Japanese idol groups are able to take risks and lead us down weird artistic rabbit holes. We follow, even if wary, because that relationship is there, built up over years. Yes, years.
While 1D seems to think 5 years is a "long" time for a boy band to carry on, Japanese boy band SMAP has been working steadily since 1991. That's right, 1991. 1991. 1991. AND THEY ARE STILL AMAZINGLY POPULAR with one of the best rated shows on television and a steady stream of number one singles. You've probably already seen SMAP members in movies like 13 Assassins and Sukiyaki Western Django and just didn't realize they were super popular singing-dancing-silly costume wearing idols.
But I will (hopefully) delight your ears with one boy band song that I've been obsessed with for a couple of weeks now: the aptly titled 「バリ ハピ」!!! Which means, literally, bari hapi! Say it out loud! VERY HAPPY!
「バリ ハピ」 is an insanely catchy ditty ripped directly from a Bavarian beer tent and performed with great gusto by the group Johnny's West. The lyrics are essentially saying, "I know we all have our troubles and woes but sing along with us anyways!" The super happy accompanying dance echoes the German line-dance feel, the guys all kicking their legs out in time with the blustery accordion riffs. You can't hear in the video but on the recording there is a fairly loud shouted chorus, too. Explicitly encouraging a sing along. It's a song meant to be sung at great volume, with all your friends, in a crowded karaoke booth. As are all of Johnny's West's songs, actually.
In short, it's a genre of pop song we here in the West, have almost completely forgotten* how to make here in the West. Pop music not meant for the clubs or the gym. Pop music meant to cheer on the listener. Pop music meant to be shared. Pop music meant to be sung together, at full volume.
And I love it. 今日も超ハッピー、みんなバリハピ！ "Today we're super happy, everybody's very happy!"
* With the huge exception of Pharrell's "Happy" obviously. But that song is an outlier in a way that Johnny's West catalog is not.